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Those flights allow us to speculate about the possibility of a collective aerial flight and of interspecies attunement and collaboration with the forces of the atmosphere. The number of things Pythagoras, geometry, and humming strings. In Philolaus’s view, for the universe to be formed, the 'limiters' and 'unlimited' must harmonize and be fitted together. Beginning from the middle, the universe expands outward around a central point, implying a spherical nature. Individuals or colonies are able to travel long distances on those aerial kites of gossamer silk, buoyed by thermal updrafts and electrostatic force. In the Pythagorean view, the universe is an ordered unit. They release several silk threads into the air which carries them away on updrafts of winds. There is geometry in the humming of the strings, there is music in the spacing of the. Sounding the Air draws inspiration from the phenomenon of spider ‘ballooning’, a behaviour in which some spiders use airborne dispersal to move between locations. However, the idea of creating a hypothetical universe without numbers is very much impossible. There is geometry in the humming of the strings. We could perhaps imagine a universe without smell or taste. 56 quotes from Pythagoras: As long as Man continues to be the ruthless. Thrown into this acoustic dialogue, each of us becomes musicians in an atmospheric jam, collectively inventing an improvised score. The Pythagoreans concluded that the one universal quality of all things in the universe, the one thing that everything had in common, was that it was numerable and could be counted. In this immersive sonic environment, every subtle movement alters the compositional whole. The Pythagorean Sentences of Demophilus, translated by Taylor, are contained in that volume also.
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Translations from the Greek, published in 1804.
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Together they create a cascade of influences that transform the rhythms of the fluctuating silk threads. Demophilus, and Pythagorean Symbols are from Bridgman's translation, and are to be found in his little book. Sounding the Air thus constitutes a collective creation improvised by an ensemble of forces and bodies: the radiant heat of human bodies, or the flurries and tremors created by the flux and breath of visitors but also the endless intra-actions of different aerial elements - dust, silk, heat, wind, spider, electrostatic force. These sounds in turn influence the pulsating lights illuminating the work Webs of At-tent(s)ion, creating resonant harmonics between the different spaces. Real-time video captures the gestures of these “strings”, translating them into sonic frequencies and patterns. Its sound is produced by five threads of spider silk that drift and resonate with the air. These added to the 1 and the 2, produce the 10, the great number of all things, the archetype of the universe. The Pythagorean numbers, therefore, begin with 3, the triangle, and 4, the square. Sounding the Air is an aeolian instrument, a musical instrument that is “played“ with the wind. The digits 1 and 2 are not considered numbers by the Pythagoreans, because they typify the two supermundane spheres.